Connie finds desire in… 929 Words 4 Pages imagine a better world and becoming better people. I feared I would soon encounter someone like Arnold Friend, and he would threaten my family if I refused his seductions to blindly follow him. This realization makes her dizzy, as she understands the situation is much more serious than she initially thought. Others have likened the name Arnold Friend to Arch Fiend or An Old Fiend. Her breath was coming quickly. Like his victim, Arnold Friend has an intimate connection to music. He seems like a demonic figure, perhaps even a nightmare rather than an actual human being, but his true character is never fully clarified.
Arnold Friend shows her his sign, drawing an X in the air, explaining he flashed it at her when he first saw her. You know that and always did know it. He had to bend and adjust his boots. Connie likes the way Arnold Friend is dressed: like a teenager from the 1950s or 1960s. In home alone, she listens to Bob Dylan when her family is out and there is no restriction. Showed first 250 characters This confirms the reader's hypothesis that Friend's is Satan.
This shows how Connie, though only 15, wanted to experience adulthood behaviors. I have often wondered if this story would be as creepy if Arnold Friend showed up at Connie's alone. Before deeply analyzing the text, it is important to understand the time period in which Oates is writing. The play indicates that he started wooing her long before Hamlet's father was dead, hence their getting married so quickly after his death. GradeSaver, 3 August 2015 Web. Connie, a stereotypical fifteen year old girl, views her life and her family with dissatisfaction.
Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience. I got things to do. Some critics will suggest that Connie is at fault for what may happen her while others will suggest that Fiend is the real culprit. Ellie's lips kept shaping words, mumbling along with the words blasting in his ear. She sees the same gold-colored convertible that she had seen the night before. It is a reoccurring story that often keeps showing its ugly side with the rapid disintegration of a solid family structure, teenagers under influences, and perverted minds taking advantage of such situations.
The young adolescent has two sides to herself; one when she is at home and one when she is out with her friends. This story narrates the sexual advances in the midst of a time that represents the idea and philosophy of the beat culture along with its attempt to change and ignore all traditional concepts. For this reason, Arnold Friend appears to be a deranged individual, who follows and stalks his subjects, but Oates gives the impression of a great projection of Satan. His sunglasses told nothing about what he was thinking. It also has some mysterious numbers painted on its side ' 33, 19, 17'. The way he straightened and recovered from his fit of laughing showed that it had been all fake.
And when I get thinking on a topic, it usually ends up with me slaving over a manuscript on my computer for an incredible amount of time, the result being this very speech. In these tales victims are often shown gazing into mirrors, admiring their own beauty, much like the teenaged Connie. Connie lays in the backyard letting her hair dry and drifts off, dreaming of love. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. For example, Connie is drawn towards Arnold's glare the moment she lays eyes on him at the drive-in restaurant, and she can't quite take her eyes off him, even after his weird finger gesture. Now she remembered him even better, back at the restaurant, and her cheeks warmed at the thought of how she had sucked in her breath just at the moment she passed him—how she must have looked to him.
So they went out to his car, and on the way Connie couldn't help but let her eyes wander over the windshields and faces all around her, her face gleaming with a joy that had nothing to do with Eddie or even this place; it might have been the music. That time and place remains vague, somewhere in mid-century suburban America. The security of Arnold Friend words gives to reader the impression that he has been watching her closely and all the time without her knowing it or noticing it. Symbolically this may also suggest that Connie is not yet ready to be independent, she is after all only fifteen years old. Oates was disturbed by the number of teenagers that this killer was able to persuade to help him and keep his secrets…. You don't see your sister using that junk. Patrick Paul Christle offers a detailed analysis of songs involved in the story as evidence that music strengthens the feminism theme.
Unlike many stories of that time, this one has an open-ended ending. It was an expression kids had used the year before but didn't use this year. Highlighting how men allow themselves to be driven by lust while at the same time looking at women or girls as objects rather than as human beings. He looked down at his boots, as if he were a little offended. After a while she heard a car coming up the drive. He touched the sunglasses perched up on top of his head as if to make sure they were still there. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes.