There is Miss Torso, a beautiful dancer, Miss Lonely Hearts, a loveless bachelorette, a young newlywed couple, a songwriter and most notably a salesman living with his bedridden wife. His socialite girl-friend Grace Kelly is eager to marry him but Stewart has his doubts, since he lives a wandering life and is from a different social class. We welcome suggestions for corrections to any of our posts. There are a few main aspects of the film that I would like to point out that sold me on this wonderful film: the framing and filming techniques, suspense building, and pacing of the film were all perfect, and made for an interesting, thrilling, and over-all exciting display of some of theater's finest filming techniques that will keep you on the edge of your seat until the credits roll. It's more of a social commentary on nosy neighbors.
By cutting from shots of his apartment to the surrounding complex outside, the movie manages to make you think there's more to this film than just Jeff's living room. A much tougher set of standards apply to films made by other directors. Of course he was driven by intuition, but he never stopped trying to verify his sense of the world, of right and wrong. I've already praised Hitchcock's set location and camera work, so I won't prattle on about him much more. However, over the course of the film, the audience and Jeff realize that Lisa is much more than the superficial upper class women Jeff initially portrays her as.
One evening, while staring out the window during a thunderstorm, Jeff notices his neighbor Lars Thorwald Raymond Burr making odd late-night trips to and from his apartment with salesman sample cases. Sometimes that point or purpose is to create a funny movie that will entertain us, or one that will frighten us. In 'Vertigo,' Stewart's character falls in love with the image of Madeleine; in 'Psycho,' we see the voyeur in Hitchcock peeking out of Norman Bates at Marion; and in 'Rear Window,' Jeff would rather stare out of his window than to hold the beautiful Lisa by his side. Each window opens a unique narrative to Jefferies; he even gives the characters titles as he follows their lives. Courtesy of cable television i. Jimmy Stewart gives one of his best performances as a photographer recuperating from an injury, forced to spend several weeks staring out his apartment window at the minor dramas in the lives of his neighbors. Do we dissolve the camera's perspective by juggling time or perspectives? A form of life based on a certain kind of minimum trust.
Grace Kelly is ideal in the role of his perfect girlfriend, who can never find a way to break down Stewart's reserve. Finally, the unauthorized looking in both of the films changes to looking out for and caring for their fellow man; in other words, voyeurism turns into neighborliness. However, since Jefferies's boss refuses to let him go back to work, he applies his work to his home-life, using his binoculars to look in on the lives of his neighbors, making mental pictures where he used to make physical ones. A film about the act of watching other lives A deeper appreciation of the film begins with the understanding that Hitchcock is making a film about the act of watching, or looking, at other lives. But Jefferies also fractures his relationships with his close neighbors through his voyeurism. First, the framing of the film was excellent. Very good acting by the great James Stewart as as a photographer who soon becomes convinced that one neighbor has killed his wife and Grace Kelly as gorgeous and elegant girlfriend , both of them make a marvelous duo.
When it came to his career, John Michael Hayes experienced the heaven and hell of Alfred Hitchcock. James Stewart stars as L. Hitch, with his mastery, felt that without dialogue this whole final sequence where the assassination is about to take place—of a central figure from some nameless country—would be stronger. But an initially harmonious working relationship turned sour. Bored out of his mind, he uses binoculars to look into the lives of the people in the office tower across from his apartment building — with particular interest in Greer Industries, and its attractive, blonde secretary. Hitch had left Warner Brothers and was looking for a home.
His rear window looks out onto a courtyard and several other apartments. Alfred Hitchcock's movies were known for featuring famous landmarks and he also was known for making his actors follow the script to the word, and in this movie the characters use their dialogue taken from an engaging as well as fun script. This is about a man watching people in a way you might find objectionable. Hitchcock was aware of this and soon after this movie he would go on to create a very successful television series where his brand became internationally much more famous. The film was copyrighted in 1954 by Patron Inc. I loved the ending, to me it was just one more good laugh with L. Only then, with the camera showing his departure from a distance, do you give a full view of the court room.
By contrast, most people at home value their privacy, and would not like some neighbor from across the street spying on them through binoculars. He doesn't even try, but you can't help but laugh at a lot of his lines, the way he looks, and the way he presents every scene. . In his effort to prove this to his detective friend, he is being assisted by his girlfriend Lisa and his nurse Stella. Grace Kelly made three of her eleven films with Hitchcock; this film, as well as Catch to a thief 1955 and Dial M for murder 1954 , but Rear window film was thought of as the best. It is a classic that will be enjoyed not only by thriller fans, but by anyone who appreciates carefully crafted movies with a lot of depth.
Perspectives on Political Science 28. The purpose of it is sensation, and that it generally provides in the colorfulness of its detail and in the flood of menace toward the end. We see what Jefferies sees, nothing more or less. Jeffries, in Rear Window, is talking to his girlfriend Lisa Freemont and his insurance caretaker Stella, and goes around the entire courtyard displaying his neighbors for us multiple times to get a better understanding of them throughout the film. He asked me what we should do with her for Rear Window, so I spent time with her for about a week.