It was Sastri who had returned from his extended trip. . As I read The Man Eater of Malgudi, I came to know that R. Narayan has written this story in a beautiful way. The novel begins with the narration of Nataraj who introduces his press on Market street with a little room in front which people often told him to rent out. Later, the same evening, a tired and dusty Vasu arrives in his jeep and calls Nataraj urgently.
He is too good to think of doing any harm to anyone. He had come to meet Vasu and warn him about his illegal hunting expeditions in Mempi. He waited for his wife to return furtively and started mind-jogging through the procession. The taxidermist goes on a hunting spree, poaching animals in the forests of Mempi, a village outside of Malgudi. If Vasu is guileless, Nataraj is spineless! He intruded as an imposing stranger and settled as a non-paying tenant. It is particularly interesting to look at the character of Nataraj with respect to his devotion. Nataraj asked for his legal counsel.
Inside the shop, the usual cast was immersed in their own work. Soon after Vasu starts bringing Rangi, a notorious dancing woman and some other women like her, to his room, to the great nuisance of all concerned. Nataraj follows a strict routine every day, getting up before 4 am and going to the river to wash his clothes and start his day with the rising sun. All looked ceremonious and dandy for the poet and his function. His mother and grand auntie live with his brother in Madras.
In The Man-Eater of Malgudi, myths serve to shed light on what is really going on in the world of Malgudi. This arrival begins the relationship between Vasu and Nataraj. The doctor asked him to bring Kumar elephant to the hospital for a checkup. Nataraj is disgusted with Vasu's wild behavior and loose talk. Hilarity and high seriousness are rarely yoked together in partnership as effectively as they are in this book…. This is the story of Nataraj, a man who is a printer in. Now Nataraj was rid of Vasu, and the story ends on the note that all demons- rakshashas, devils and monsters-are the downfall of themselves.
However, at the end, the animals were vindicated as an Asura fell prey to the tricks of destiny, and I realized that possibly the earlier episodes were written with the express view of creating a detested character. Vasu took the entire conversation indifferently and stormed off without giving a proper reply. Like his other novel, Talkative Man, R. Nataraj is the owner of a small press in Malgudi. The character of Vasu, the central figure is a masterpiece. In the end, it triumphantly declares the victory of good when evil meets its end by self-destruction. The story is a series of experiences in Krishna's life - some joyful, some sorrowful; and his journey towards achieving inner peace and self-development, in the traditional Indian sense.
The action that occurs in the novel bears many similarities to other myths that are either mentioned or alluded to, in particular the Ramayana and the myth of Bhasmasura. His wife was surprised and grumbled to see a prostitute in her house. Personally, I have liked the story very much. Nataraj is very fond of the elephant, Kumar. However; they were struggling to make people loosen their purse strings. Muthu and the villagers disowned any connection to Nataraj as well.
There was small tiffin lying beside his body. The stranger started introducing himself as Vasu,passed his M. I hope this might help you. Through his uniquely rough and unpolished ways, he was able to force or coax people to pledge greater sums. He said that Rangi had come to his house the previous evening and described how Vasu died. But according to me, the most important thing in the story is nothing but the thrill and suspense.
The next day when the lawyer came back to the shop, Nataraj was embarrassed about leaving him unannounced the previous day. He was a self-made man who had wanted to print cards for a temple ceremony. Sastri had left for a wedding in Karaikudi and had not come back yet. Vasu was unflinching in his defiance. Nataraj explains how he helped Satri whenever he was free and often when his business was more than he could handle, he would pass the customers on to his neighboring press called Star press. Be it Mali of or Raju of , Narayan always created positive characters, who may at times do bad karmas, but are never wholly evil. On coming at first he showed his unwanted rudeness in the peaceful life of Natraj and his peaceful family.
The myths referred to give us greater insight into the action and into the characters themselves, by showing us more subtle aspects of the story which are juxtaposed against the myths. To complement these mythical elements, comparisons and references are made to various Hindu myths throughout the book, which act as signposts to the significance of what is going on in the story itself. Rangi left the printer too. One day he caught hold of the poet, coaxed him to come to the press and offered him the stuffed tiger cub to thaw the frost of indifference. He leads a contented lifestyle, with his own circle of friends, such as a poet, a journalist named Sen, and his one employee, Sastri. In a poetic sense, Sastri quoted the scriptures that expatiate that every demon, even the man-eater Vasu, has a particle of self0destruction in them. After the death of the father,the mother went away to Madras along with great-auntie and Nataraj was left there with his wife and son,Babu.
Moral of the story : Nothing is immortal. The Man-eater of Malgudi is one of the most impressive novels of R. Will he be successful in saving the sanctity of his press and the life of Kumar the temple elephant? Even his handshake is bone crushing and Nataraj is awed by the whole encounter, but this is just the beginning. Narayan's Vision of Life The law of life can't be avoided. Nataraj lives in a huge ancestral house in Malgudi, a fictional town in south India.